KIKUTAKE Kiyonori Archive

These are drawing materials (about 15,000 pieces) prepared after 1953 among those prepared by the architect KIKUTAKE Kiyonori and by the KIKUTAKE Architectural Studio (renamed KIKUTAKE Kiyonori Architectural Office in 1962). As of 2023, the materials are being collected for further endowment.


KIKUTAKE Kiyonori

KIKUTAKE Kiyonori entered Architecture Department, Special Engineering Division of Waseda University in 1944, and entered Architectural Department, School of Science and Engineering of Waseda University in 1947. After graduating from Architectural Department, School of Science and Engineering of Waseda University in 1950, he joined Takenaka Corporation. He then joined Murano Mori Architectural Design Office in 1952. He established KIKUTAKE Architectural Studio in 1953 (renamed KIKUTAKE Kiyonori Architectural Office in 1962), and became a lecturer at the Department of Architecture, School of Science and Engineering of Waseda University in 1959.


Major Works

  • 1956  Ishibashi Culture Hall
  • 1958  Sky house
  • 1960  Ocean City, Unabara
  • 1963  Izumo Shrine, Cho-no ya
  • 1964  Hotel Tokoen
  • 1965  Tokuunji Temple Columbarium
  • 1966  Miyakonojo Civic Center
  • 1968  Miyakonojo Civic Center
  • 1969  Osaka Expo Tower
  • 1972  Kyoto Community Bank, Nishijin Branch
  • 1974  Pasadena Heights
  • 1975  Aquapolis,International Ocean Exposition
  • 1987  Ginza Theatre Hotel
  • 1992  Edo-Tokyo Museum
  • 2004  Kyushu National Museum

Past Exhibitions in NAMA

  • The Spirit of Architecture Kiyonori KIKUTAKE in Architectural Archives, 2014
  • Museums by Japanese Architects 1940s -1980s: Origins and Trajectories, 2020
    Contents Ishibashi Culture Center / Art Museum, Shimane Prefectural Museum, Hatakeyama Art Museum (schematic plan)
  • Designing Home : Masterpiece Houses from NAMA’s Collection 1940-1975, 2021
    Contents Sky house, Inoue House.
  • Kodomonokuni:Children’s Land -Nature, Future and Metabolism Architecture [Concurrent exhibition] NAMA’s Recent Collections, 2022 Contents Summer Camp.

HARA Hiroshi + Atelier Phi Architectural Drawings

 The archives comprise architectural design drawings (about 15,000 pieces) and sketch materials (about 4,000 pieces). The drawings mainly include works up to 2000, while the sketch materials include works after 2000. Major works are covered exhaustively and include materials from before the establishment of Atelier Phi (RAS Architecture Institute). Many drawings and sketches for major projects, such as the Kyoto Station Building and New Umeda Sky Building, are left, allowing the views to follow the design process in detail. Many large sketches illustrate the entire elevation surface on paper larger than A0 sheets, showing that the unique design is generated based on through consideration.
 In addition to materials for realized works, there are also many materials for a wide variety of challenging projects, for instance, the Yukotai no Sekai [The World of Porous Body] and Parc de la Villette: Paris International Design Competition, as well as materials for works such as the Modal Space of Consciousness.


HARA Hiroshi (1936-)

HARA Hiroshi received a B.A. in 1959 and a Ph.D. in 1964 from the University of Tokyo. He became an associate professor at the Institute of Industrial Science at the University of Tokyo in 1982, a professor there in 1987, and emeritus professor in 1997. He began to collaborate with Atelier Φ in 1970.


Major Works

  • 1964 Osaka University of Arts, formerly Naniwa University of Arts, Design Com
  • 1967 Ito House
  • 1970 Awazu House
  • 1973 Hara House
  • 1982 Parc de la Villette: Paris International Design Competition
  • 1983 Tasaki Museum of Art
  • 1984 Modal Space of Consciousness
  • 1985 Yamato International
  • 1986 Iida City Museum
  • 1987 Media Park KÖln invited International Urban Design Competition
  • 1991 Kyoto Station Building
  • 1993 Miyagi Prefectural Library
  • 1997 Sapporo Dome
  • 2003 Fukushima Prefectural Aizu Gakuho Middle School and High School

Past Exhibitions in NAMA

  • Architecture on Paper: Architectural Drawings of Japan 1970s – 1990s, 2017
    Contents Hara House.
  • Museums by Japanese Architects 1940s -1980s: Origins and Trajectories, 2020
    Contents Sueda Art Gallery, The Tasaki Museum of Art, Iida City Museum.
  • Designing Home: Masterpiece Houses from NAMA’s Collection 1940-1975, 2021
    Contents Hara House.
  • HARA Hiroshi:“What is Possible in Architecture?”55 Years of Ideas About Yūkōtai (Porous Bodies) and Floating, 2022

Archival Collections

ANDO Tadao Early Architectural Drawings

These are a part of the collection of handwritten original design drawings from the establishment of the office (30 projects), made of about 1400 drawings. Many of them are drawn in pencil on tracing paper, including peculiarly expressed architectural drawings where various elements of architecture are integrated into a single drawing.


ANDO Tadao (1941-)

Self-educated in architecture and established Tadao Ando Architect & Associates. In 1997, professor at the University of Tokyo. Currently, emeritus professor at the University of Tokyo and honorary director of NAMA. Visiting professor of Yale, Columbia, and Harvard University.


Major Works

  • 1976 Row House in Sumiyoshi
  • 1983 Rokko Housing I
  • 1984 TIME’s I
  • 1988 Church on the Water
  • 1989 Church of the Light
  • 1992 Benesse House
  • 2000 Awaji-Yume Butai
  • 2002 International Library of Children’s Literature, National Diet Library
    Modern Art Museum of Fort Worth
  • 2004 Chichu Art Museum
  • 2006 Omotesando Hills (Omotesando Regeneration Project)
  • 2007 21_21 DESIGN SIGHT
  • 2009 Punta della Dogana Contemporary Art Center
  • 2014 Shanghai Poly Center
  • 2020 Nakanoshima Children’s Book Forest
  • 2021 Bourse de Commerce-Pinault Collection

Past Exhibitions in NAMA

  • Early Drawings of Tadao Ando: Autonomy and Dialogue, 2019